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Fresh tracks, mixes, remixes and releases — listen online new releases Trip-Hop music | Page: 2

Tracks: 37 Add Music
Massive Attack - Black Milk

Massive Attack - Black Milk

06:21 14.63Mb [320 kbps] 227 1 0 24.04.2025 layden Downtempo, Trip-Hop

Massive Attack - Dissolved Girl

Massive Attack - Dissolved Girl

06:06 14.07Mb [320 kbps] 136 1 1 24.04.2025 layden Downtempo, Trip-Hop

FKA Twigs - Pamplemousse

FKA Twigs - Pamplemousse

01:38 3.85Mb [320 kbps] 56 0 0 24.04.2025 layden Downtempo, Trip-Hop

FKA Twigs - Perfect Stranger

FKA Twigs - Perfect Stranger

03:17 7.72Mb [320 kbps] 64 1 0 24.04.2025 layden Downtempo, Trip-Hop

FKA Twigs - Good To Love

FKA Twigs - Good To Love

04:11 9.66Mb [320 kbps] 57 1 0 24.04.2025 layden Downtempo, Trip-Hop

FKA Twigs - Figure 8

FKA Twigs - Figure 8

02:10 2.24Mb [138 kbps] 62 0 1 24.04.2025 layden Downtempo, Trip-Hop

Massive Attack & Mos Def - I Against I

Massive Attack & Mos Def - I Against I

05:41 13.39Mb [320 kbps] 306 0 0 23.04.2025 User_1928 Downtempo, Trip-Hop

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Trip-Hop — slow beats, dark atmosphere, and urban introspection

Trip-Hop is a music genre that emerged in the early 1990s at the crossroads of hip-hop, dub, soul, jazz, and electronic music. It’s instantly recognizable by its slow tempo, dense basslines, “smoky” atmosphere, and a sense of inner dialogue. This is music not for the dancefloor, but for a state of mind.

Today, Trip-Hop is widely listened to online as background music for focus, concentration, and evening moods, as well as an alternative to overproduced modern electronic sounds.

What Trip-Hop really is — beyond clichés

Trip-Hop is often labeled as “dark electronic music” — which is only partly true.
In reality, it’s a genre defined by:

  • mood and texture,
  • a slowed-down, almost lazy groove,
  • hip-hop influence without rap aggression,
  • cinematic qualities and emotional depth.

Trip-Hop doesn’t rush, doesn’t push, and doesn’t demand a reaction — it draws you in.

The genre’s origins: Bristol as the starting point

Trip-Hop was born in Bristol, United Kingdom, in the early 1990s — a city where the following cultures intersected:

  • sound system culture,
  • U.S. hip-hop,
  • British electronic music,
  • post-punk and dub.

This environment gave rise to the so-called “Bristol sound,” later known as Trip-Hop.

The genre’s foundation was shaped by:

They defined not only the sound, but also the aesthetic of the genre — introverted, dark, and urban.

Sound and technical characteristics of Trip-Hop

Trip-Hop is recognized more by feeling than by formula, but it does have consistent technical traits:

  • Tempo: typically 70–100 BPM
  • Rhythm: hip-hop-based, often broken and “gritty”
  • Bass: deep, sustained, almost physically tangible
  • Samples: vinyl, jazz, soul, film soundtracks
  • Vocals: whispers, half-sung lines, melancholy, detachment

Trip-Hop production is often deliberately “imperfect” — noise, grain, and reverb become part of the artistic language.

Trip-Hop and Organic Sound

In 2025–2026, Trip-Hop is increasingly associated with the Organic Sound trend — a demand for natural, textured, and non-sterile music.

Trip-Hop fits this trend perfectly because it:

  • actively uses analog sources,
  • preserves the “breath” of the recording,
  • avoids aggressive digital compression,
  • sounds alive even in electronic form.

This is music where tactility and space matter more than loudness.

Trip-Hop and related genres

Trip-Hop often overlaps with other styles, yet remains fundamentally distinct:

Trip-Hop always remains urban and emotionally charged, even in its calmest tracks.

Key artists and scene development

Beyond Bristol’s “big three,” the genre was further shaped and expanded by:

  • Morcheeba — a brighter, soul-oriented side of Trip-Hop
  • DJ Shadow — an instrumental, sample-driven approach
  • UNKLE — connecting Trip-Hop with cinema and art-pop

Their work proved that Trip-Hop is not a trend, but a lasting musical language.

Trip-Hop as background music and for focus

Despite its emotional depth, Trip-Hop works exceptionally well as:

  • background music,
  • music for concentration,
  • an evening and late-night radio format.

The steady tempo and lack of abrupt transitions make it easy to listen to for long periods, while its atmosphere helps you focus or mentally disconnect from the noise of the day.

Frequently asked questions about Trip-Hop (FAQ)

How does Trip-Hop differ from Downtempo?

Downtempo focuses on relaxation and a neutral background.
Trip-Hop is emotionally deeper, darker in mood, and more closely tied to hip-hop culture and urban aesthetics.

Can Trip-Hop be considered electronic music?

Yes — with a caveat. Trip-Hop is a hybrid genre where electronics serve as a tool rather than the goal. It stands equally close to hip-hop and alternative music.

Why is Trip-Hop still relevant today?

Because it speaks to inner states rather than trends. In an era of content overload, Trip-Hop is valued for its depth, honesty, and atmosphere.

Conclusion

Trip-Hop is the slow rhythm of the big city — music of night streets, reflection, and pauses. A genre that doesn’t demand attention, but if you give it some, it gives back.

Listen to Trip-Hop online, discover popular tracks, timeless classics, and new releases on Minatrix.FM. Turn on the stream, slow down the pace, and sink into the atmosphere — without rush or noise.

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