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TOPHONK - Z-ISPUGALSA REMIX (3): listen online in high quality | Minatrix.FM

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TOPHONK - Z-ISPUGALSA REMIX (3)

TOPHONK - Z-ISPUGALSA REMIX (3)

02:02 9.01Mb [131 kbps] 85 0 0 896 BPM 27.09.2025 TOPHONK Funk

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This material was uploaded by user TOPHONK. Audio recordings are available for listening and informational purposes within the author-driven platform. All rights belong to their respective lawful rights holders. If you believe that your rights have been infringed, please contact us for removal or review the DMCA Notice.

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TOPHONK - Z-ISPUGALSA REMIX (3) listen online in high quality | Minatrix.FM

“TOPHONK - Z-ISPUGALSA REMIX (3)” — a sonic narrative by TOPHONK

“TOPHONK - Z-ISPUGALSA REMIX (3)” is more than just a track within the Funk genre. It acts like a small sonic environment — shaped by the mood “Neutral”, attention to detail, and a clear sense of form. At 896 BPM, the track feels as if it’s trying to break beyond the bounds of familiar tempo — the rhythm acts like an engine that keeps the listener anchored in space. The recording is available in 131 Kbps — without unnecessary compromise.

Today, listeners perceive the composition as part of their personal moments: focus, rest, movement — each time it reveals something new. The interest is fully justified: 85 plays, 2 likes, and 1 playlist additions speak for themselves.

May 2026 fills playlists with light, and the track feels almost like a soundtrack to movement and renewal.

May is a month of discoveries in the Minatrix.FM catalog, and “Z-ISPUGALSA REMIX (3)” has become part of this progression.

  • Artist: TOPHONK
  • Track: Z-ISPUGALSA REMIX (3)
  • Genre / Style: Funk
  • Mood: Neutral
  • BPM: 896
  • MP3 Quality: 131 Kbps
  • Plays: 85
  • Likes: 2
  • Playlists: 1

Throughout 2026, “TOPHONK - Z-ISPUGALSA REMIX (3)” maintains its place within the Funk genre on Minatrix.FM, proving that sound can be both deep and universally accessible.

Include the composition as part of your autumn emotional collection.

Minatrix.FM is a space where every track receives its own context, story, and a real place within the musical landscape of the day.

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